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Showing posts from 2015

Google for Musicians - Pt 1 : Contacts & Calendar

I have a house.  In my house I have a music room.  In that music room I have a desk/shelf/computer, etc.  And in and/or on all of those items are books, sheet music, CDs, calendars, receipts, invoices, tax documents, bios, headshots, setlists, gig pics, Facebook pages, websites, plans, history, dreams, failures, successes, etc, etc,  And in that music room I have instruments that I play privately and professionally.  I have a career; however, large or small, in music.  That career is not limited to the instrument I play, the notes I choose, the styles I enjoy, or the gigs I get.  That career has a thousand tiny pieces that make up who I am as a musician - which translates to who I am as a professional:  which translates to this: when someone hires me .. who are they getting? Now... let's set a few separate hypothetical scenes.  Let's consider: I'm trying to sell some gear and I want to target a specific group of local musicians, that aren't all on Facebook!   I'

The Note-Well - Mastering the Fingerboard

if you are still struggling with the fretboard and names of notes it can be pretty daunting to try to apply concepts that you learn, especially in real time, say in a jam.  If someone is calling chords out, or you're looking at a chord chart it's just simply frustrating if you don't know the names of the notes you're playing. It can feel like you're playing blind.   A good portion of us have 4 strings, with 21 frets... that's 84 different notes to learn.  Again..it can be daunting.  Yes there are only 12 notes, and they repeat, but if we want to be fretboard masters, we really need to know all 84 notes, more if you're a 5, 6 string player.   ... I watched an Anthony Wellington  master-class video on Scotts Bass Lessons .. he jokes about running into a student and saying "15th fret, A string" and that student has to know it's C .. but..he's serious.. it's your vocabulary.. no.. your alphabet and if you're denying yourself th

Bass Bits: Sweet Child O' Mine by Guns & Roses

Sweet Child O' Mine ...  yes Slash's guitar intro is universally recognizable but Duff McKagan's bass intro is just as recognizable in the bass world and arguably a rite of passage for any rock bassist.  It has melody.. higher register playing.. and that sweet chorus + Fender tone.  Enjoy

Bass Bits: Come On, Come Over

Here is the opening riff for Come On, Come Over by Jaco Pastorius & Bob Herzog, found on Jaco's first album. Keep those left hand fingers close to the fingerboard and do it as efficiently as possible.  Keep it tight, keep it groovy.   Make sure to channel your inner Jaco with your right hand.